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The Chapel of the Heavenly Ladder

Antonakos Stephen (1926-2013)

1999-2000 | 550 x 550 x 700 cm

Rusty iron and neon


Museum of Contemporary Art

MCA.SMCA.C540

Donation of the artist


ARTWORK DETAILS

Type: Installation

Subject: Contemporary art

Art techniques: Sculpture


ARTWORK DESCRIPTION

The Chapel of the Heavenly Ladder was first presented in 1997 at the 47th Venice Biennale (National Commissioner Efi Struza) as one of the works of the Greek participation. It was designed in 1995 by Stephen Antonakos, inspired by the Byzantine icon of the Celestial Scale of the Monastery of St. Catherine of Sinai, which was created by the monk John of Klima. It consists of a square, sturdy construction structure made of rusty iron, which can withstand the elements. At the entrance, 12 crosses are visible as a reference to the 12 apostles, while a golden scale, which contributes to the connection between the earth and the sky, emerges from the roof, which is in the shape of a Greek cross. The entrance canopy is covered with red neon, while a blue neon square is placed in the outline of the roof opening. According to the artist "...these two colours are, in essence, the alpha and omega of my art". The artist's intention was that as the visitor enters the dark interior, which creates a suffocating atmosphere, the visitor would find "escape" in the view of the staircase that rises above the ceiling opening and is illuminated with neon, ultimately evoking a spiritual experience, a feeling of uplift, transcendence and liberation. After the end of the Venice Biennale, the Chapel was donated by the artist to the Greek people and was installed in the courtyard of the State Museum of Contemporary Art of Thessaloniki [today MOMus-Museum of Modern Art-Costakis Collection] in the Moni Lazariston.

CREATOR

Steven Antonakos was born in 1926 in Agios Nikolaos in Laconia and in 1930 he moved with his family to New York. From an early age he was involved in painting and the visual arts and attended classes at Brooklyn Community College (1947-1949). In the 1950s, he first worked with collage and then turned to experimenting on objects he found at random, applying variations of color, schematic and stylistic designs. In the 1960s he incorporated neon light tubes into his works, being one of the first artists to establish the use of neon as an artistic medium, which became a characteristic element of his work. His artistic work includes large-scale installations, architectural interventions indoors and outdoors, sculptural constructions, drawings and prints, artist books, meditation rooms, etc. He has presented his work in hundreds of solo and group exhibitions all over the world, and has also participated in international exhibitions. His works adorn public spaces in various cities in America, Europe and Asia and can still be found in public and private collections in the USA and Europe. He has received dozens of awards for his artistic contributions.